A work-in-progress. No publication date set.

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Origin of The Dragon Universe

I love science, science fiction, and fantasy. I always have. Nevertheless, it never occurred to me I could write it as a career. I had dabbled in writing stories for fun, but never considered it more than a hobby. Then along came the Internet and the methods it provided for sharing. I discovered people liked my fiction about Dragons, even as amateurish as it was. When career changes provided the opportunity to move into a new life, I had many options. I settled on pursuing a new career as a speculative fiction writer.

For years, I had successfully written technical documents and articles. What could be so hard about becoming serious about writing fiction? Everything. Fiction writing is not technical writing. Fiction requires a different skill set. I studied everything I could find to learn how to write quality fiction. I set a goal of 10 years, 10,000 hours, 1,000,000 words to hone my skills. I am not yet to the 10-year mark, but I have exceeded the 10,000 hours, and I have created nearly 1,000,000 words of trunk novel material. I am improving, but I still have more practice to do.

During those years of practice, experimentation, and development, I created the worlds, characters, and plots for The Dragon Universe. Initially, I imagined a single book, but I eventually realized the story was too large. Rather than lose the story's heart and soul by cutting it to an acceptable size, I split the five phases of the story into five books. When I finish with the current trunk novel version of the story, I will return to the beginning and apply everything I have learned to create a work of art.

I feel good about how well my writing skills have developed, I am pleased by how the story has evolved, and I am excited for what the future holds. While it is still a work-in-progress, The Dragon Universe is wonderful. Follow me on my journey by following me on my web pages, Facebook, and Twitter. When the final version of the books come to market, read them and let me know how I did.

Lester D. Crawford Blog


2019-11-30
What Makes a Compelling Character?

Glory is compelling. I ponder why.

Glory is a RainWing dragon in the Wings of Fire series by Tui T. Sutherland and the point-of-view character in The Hidden Kingdom (Wings of Fire Book 3).

Spoiler Alert.

The following contains spoilers for the Wings of Fire series.

Glory’s egg was a substitute for the SkyWing egg that was destroyed when the eggs to fulfill the Dragonet Prophecy were collected. Because of that, the adult caregivers didn’t consider her to be a true part of the Prophecy. And being a RainWing, they considered her to be a lazy, weak, fruit eater, which was the stereotype for RainWings.

The caregivers treated her as inferior, which caused her to grow up bitter and with a bad attitude that hid her sadness. She almost always expressed herself with biting sarcasm. However, she was smart, remembered what she read, and even though she wasn’t as good at fighting as some of the others, she learned to fight and was willing and able to fight when needed.

Even though the caregivers treated her badly, her fellow Dragonets of Prophecy always treated her as one of them. She might have been in a constant state of irritation and annoyance, but she was loyal and true to the other dragonets because they were her family and despite her cynical opinion of her place among the Dragonets of Prophecy, she protected them at any cost.

When she finally meets other RainWings, she learns they act like the stereotype she had been accused of being. The RainWings were not what she had hoped for. She began to despise her people. But she learned the truth about what it meant to be a RainWing and eventually becomes proud of them and of herself for being one of them.

But she has a character change arc journey first.

She tended to be a loner and always wanted to do things for herself with no help because she had to prove she was more than what the stereotype said she was. This caused her many problems. But when she learned her people were threatened, she was willing to do anything to protect them. Initially she tried to do it alone. Her upbringing had made her different from other RainWings. When the NightWings captured her and considered her not to be a threat because she was a RainWing, she thinks, “They’ve never met a RainWing like me.” Sure enough, they end up regretting underestimating her. Still, her attempts to do it all alone did not go well. Ultimately she learned the lesson that she needed others and she embraced the help given to her by others.

Across the first four books of the Wings of Fire series — The Dragonet Prophecy (Wings of Fire Book 1), The Lost Heir (Wings of Fire Book 2), The Hidden Kingdom (Wings of Fire Book 3), and The Dark Secret (Wings of Fire Book 4) — she goes from a despised and neglected replacement dragonet who everyone thinks will amount to nothing to being the respected and feared Queen Glory of the RainWings and NightWings.

And that is the reason Glory is compelling. She was broken, damaged, and downtrodden, yet her experiences, determination, and personality, with the help of her friends and her people, enable her to overcome her personal problems and to ultimately prove she had been great all along.

Glory is a lesson in how to write a compelling character.

Glory surrounded by Jambu, Mangrove, Tamarin, and Kinkajou, with Sunny and Tsunami watching, after Glory becomes Queen of the RainWings. Kinkajou says, "You did it, Glory."  Glory responds, "Not by myself. I needed all of you to make it happen."
Glory Learned her Lesson
Image from Wings of Fire Graphic Novel #3: The Hidden Kingdom
I highly recommend the Wings of Fire books, audiobooks, and graphic novels.


2019-10-31
Emotional Change Arcs

As I work through this story of two co-protagonists learning about each other, my challenge has become weaving the emotions of the characters. They each have moments of fear and moments of cheer. Each meeting brings one emotion or the other. Highs and lows intertwine until a moment of crisis when their relationship almost fails. From this near failure comes new understanding, and a new way of see each other. I’m feeling my way to that critical moment. It’s hard work that requires many experiments to find the right words.


2019-09-30
Learning a Lot

My current story project is a challenge. With two point-of-view characters of equal importance, the story passes back and forth between them, scene by scene, as it progresses. I put a lot of effort into designing the story, but ultimately, the finished outline was little more than a list of plot point events that guide me through the story’s structure. I know less about the details that lead from plot point to plot point than I typically do when I write a story. The story is still on track, but there are times I must pause to think about what happens next. It’s challenging, but fun. And, I’m learning a lot.


2019-08-31
Making Charts, Graphs, and Maps While I Think

Some people doodle while they think. Some people twirl a pencil. Some people bend paperclips. I like to make charts, graphs, and maps while I think. These charts, graphs, and maps are useful. They always support what I’m thinking about, which is usually the story I’m writing.

My current story makes occasional references to the backstory. I realized I did not know the timeline of that backstory. The timeline is important because some of the characters are children whose ages would dictate how they responded to or participated in past events, and even to what events they might remember. To help ensure what I described about the children made sense, I made a timeline and age chart. Now I know, for example, that Naia was two years old when the Dragon War ended. She could not have done some of the things I had imagined her doing. I’m glad I checked her age before I wrote those scenes.

My stories are always better when I make charts, graphs, and maps while I think.

Timeline of events and age chart for characters.
Timeline and Age Chart

2019-07-31
2019 Clarion West Write-a-thon Finished

My goal of designing another short story and beginning the writing of it has been met with the completion of the design of my Sten and Spice story and the beginning of the writing of the story.

Everything I’ve written recently has had a single point-of-view character. This story has two. The story is actually two stories that touch multiple times as the plot progresses. Conflict occurs between the two characters at those moments when the characters interact, but also, between the moments when the stories touch, the characters experience conflict with others who don’t like what they’re doing during those moments when the two characters are interacting. Ultimately, it all comes crashing down at the end.

This story is fun, but it is a considerable challenge.

Image showing two plot lines bouncing off each other multiple times with a boing sound finally ending with a splat.
Visual representation
of the plot of my Sten and Spice story.

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