A work-in-progress. No publication date set.

Read my flash fiction.
On Lester D. Crawford Speculative Fiction,
select Flash Fiction on the menu.

Origin of The Dragon Universe

I love science, science fiction, and fantasy. I always have. Nevertheless, it never occurred to me I could write it as a career. I had dabbled in writing stories for fun, but never considered it more than a hobby. Then along came the Internet and the methods it provided for sharing. I discovered people liked my fiction about Dragons, even as amateurish as it was. When career changes provided the opportunity to move into a new life, I had many options. I settled on pursuing a new career as a speculative fiction writer.

For years, I had successfully written technical documents and articles. What could be so hard about becoming serious about writing fiction? Everything. Fiction writing is not technical writing. Fiction requires a different skill set. I studied everything I could find to learn how to write quality fiction. I set a goal of 10 years, 10,000 hours, 1,000,000 words to hone my skills. I am not yet to the 10-year mark, but I have exceeded the 10,000 hours, and I have created nearly 1,000,000 words of trunk novel material. I am improving, but I still have more practice to do.

During those years of practice, experimentation, and development, I created the worlds, characters, and plots for The Dragon Universe. Initially, I imagined a single book, but I eventually realized the story was too large. Rather than lose the story's heart and soul by cutting it to an acceptable size, I split the five phases of the story into five books. When I finish with the current trunk novel version of the story, I will return to the beginning and apply everything I have learned to create a work of art.

I feel good about how well my writing skills have developed, I am pleased by how the story has evolved, and I am excited for what the future holds. While it is still a work-in-progress, The Dragon Universe is wonderful. Follow me on my journey by following me on my web pages, Facebook, and Twitter. When the final version of the books come to market, read them and let me know how I did.

Lester D. Crawford Blog


2019-02-28
Motifs

A motif is a recurring element that has symbolic significance in a story. An example I noticed in the movie Hidden Figures (2016) was when child Katherine G. Johnson’s teacher handed her the chalk, and then later her boss handed her the chalk. Both times Katherine proved herself by solving a math problem on the blackboard. These scenes also ended with Katherine adjusting her glasses. The movie had other motifs as well, such as Dorothy Vaughan saying “attagirl” when she got some device to work.

I tend to do a few motifs without thinking about them. My goal is to improve my motifs by actively giving them the thought and planning they deserve.

Two scenes from the movie Hidden Figures (2016) when Katherine G. Johnson was handed the chalk.
Handing the Chalk to Katherine

2019-01-31
The More I Write, the More I Learn

As I practice writing, I learn about the writing craft, I build skills in the writing craft, but I also learn other things because I do research to support what I’m writing. For the story I’m currently writing, I researched childhood trauma.

The two main characters suffered childhood traumas. That trauma drives the attitude and behavior of the point-of-view character. She suffered her trauma years ago and is now an adult. The other character is a child who recently suffered her trauma. It is easier for me to write the adult than to write the child probably because I can relate to how an adult who suffered trauma as a child might deal with it as an adult. I can’t do that for the child. Thus, I researched childhood trauma to gain an understanding of how a child reacts to trauma.

I learned many things from my research and I now have a better idea of how to write the child, but I also learned about me. While I did not suffer childhood trauma as severe as what some people have, there were things that left their mark on me. I now understand myself better and I understand why I can write the adult. However, even with this new understanding, I still have my childhood trauma scars. In part, those scars make me who I am.

The more I write, the more I learn, and sometimes what I learn is about me.


2018-12-31
My Favorite 2018 Reads

I read quite a few books this year. Science fiction, fantasy, science fact, memoirs, current affairs, history, skill building, and self help are a few of their categories. I learned many things and I was entertained. These six are among my favorite reads in 2018.

  • “The Lost Continent” by Tui T. Sutherland
  • “Every Heart a Doorway” by Seanan McGuire
  • “Tess of the Road” by Rachel Hartman
  • “My Lady Jane” by Cynthia Hand, Brodi Ashton, Jodi Meadows
  • “Space Opera” by Catherynne M. Valente
  • “Educated: A Memoir” by Tara Westover
Book covers for my six favorite books I read in 2018.

2018-12-22
Karma

Karma
by Lester D. Crawford

Santa said, “There are two kinds of people: those who are on the naughty list, and those who are not.” He handed me my gift and added, “Both receive the same gift. Karma sorts things out.”

I love my gift. She’s wonderful. And, karma taught me which list I’m on.

It had been a little sneeze, but now I sit in the yard, in the snow, the cute baby dragon curled up in my lap, asleep, innocent and sweet, smoke still rising from her nostrils as I watch my house burn, the flaming Christmas tree still framed in the window.

My 100-word Christmas story for 2018.


2018-11-30
Keep Pushing, Keep Improving, and Keep Having Fun

For years, I’ve practiced the craft of writing fiction. The scale of the subject is sizeable. Every author has their own take on the topic and each has their own process for achieving success. By studying what these people teach, and by writing close to a million words, I’ve developed my process, a process that accommodates my personality and idiosyncrasies. I may never be a master, but I do constantly improve.

This year I’ve applied my process to short stories. The turnaround time for creating a short story as opposed to a long form novel has allowed me to rapidly practice story structure, character change arcs, and other details of story theory. Each story has strengthened my skill set. And, each story has been wonderful. I am proud of my accomplishments.

I’m going to keep pushing, keep improving, and keep having fun.


Go to the Lester D. Crawford Blog Page